How one decodes the architecture is no longer important.
The traces that come from these actions allow the architecture to be read as an enabler or indicator. He discusses the architecture as a text one which enables many undetermined actions to come from it. Starting points would arise from arbitrary moments created by the functioning of the architectural process. The architecture would have no predetermined origin or end. He discusses a proposal for a new 'timeless' architecture, devoid of representation of meaning through images and the assignment of objects to represent ideas.
VIRTUAL CITY DWELLER CROSSW SERIES
Over the past few days I've been working hard attempting to make sense of what this architecture does, and how the elements in it can enable a series of motions, traces and arbitrary activities to occur.Ī big inspiration was reading Re-Working Eisenman by Peter Eisenman, particularly the essay End of the Classical. So I haven't posted in almost a week now. The work of Walter Pichler Walter Pichler drawing, from Flickr, Michael.Flarion The masterplan becomes the narrative - use this drawing as the narrative Simplify - simple theme applied to each e.g. Look at how they reveal a meaning about place.Ī charm in how they use the everyday building to uncover a meaning in a place.Ī risk that I'll do too much in each project. Simplify each architecture, take all of them and how they relate to one another. Why is it called a Boathouse? Must it fulfil this function? The actual comments by Tony Swannel and Graham Farmer from the crit were as follows: How does this architecture function in times when the lake isn't flooded, and what higher purpose can the architecture satisfy? Perhaps for boating, or as a refuge for wildfowl? This one really needs developing.
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